Friday, 20 January 2017

2016... wasn't that bad

Last year was pretty grim wasn't it? I mourned with everyone else at the losses of loved icons and ranted over worrying global events, but by December the 31st I felt like I'd had it with all the negativity, I didn't want to look back at 2016 and only think of the crappy stuff!. I'd had enough doom and gloom!

So I thought I'd begin 2017 by listing some of the things I never got around to blogging about but still held an important place creatively for me in 2016. Here's some of my highlights from last year (also you can see more about these and other projects on my Instagram @gemma_parker_artist)

Embroideries:

Embroidery no.2

I mentioned briefly last year that I had begun working on some drag inspired embroideries and this had branched out to making work based on a variety of iconic and transformative make up looks. I am stitching portraits of people who inspire me and have used make up as a powerful tool of expression and creativity in their lives and careers. My most recent piece is of Dame Joan Collins, a lady I greatly admire and who I was lucky enough to see last year in her 'Unscripted' show. I loved her as Alexis in Dynasty which is where she created her most enduring 'look', a bold smokey eye and colourful lip combo that will always be associated with the legend of Joan Collins.


I am really enjoying making these works, they are kitsch and decorative and involve all the things I love. I'm hoping to make enough for an exhibition and I plan on making a piece to mark Kylie Minogue's new album this year and her 30 years in the music industry. I'm not putting any pressure on myself with this work, other than trying to speed up, I'm just enjoying it and loving the process. It's also fun to see where the work takes me in terms of style and use of materials.

Interview with Rachel Maclean for HOME:


This was a real delight for me as, over the summer, I got to chat to multi media and award winning artist Rachel Maclean about one of my favourite subjects, dressing up and artifice. If you haven't seen Rachel's work you're in for a treat, a deceptively sweet treat that coats a darker and unpalatable centre!

Filled with overblown characters, all played by the artist, Rachel's work inhabits make-believe worlds that might seem colourful and camp, but mirror our own world all too closely. Using her ability to play both grotesque and cute, Rachel's work says a lot about gender, politics and society.


It was great to interview Rachel about her love of dressing up and explore the reasons and ideas behind it. As a fellow lover of artifice I found the whole experience really interesting, not to mention the writing and editing the interview involved. The finished article was published in HOME's autumn programme. You can read an online version HERE

Working with Forever Manchester:


Forever Manchester funds and supports community activity across Manchester and I was thrilled to attend their Summer Social event as artist in residence drawing the crowd and making postcard portraits of attendees. My camera on the day was rubbish and didn't pick up any details but at least here you can see a taster of the people who sat for me.

I love doing events like this where there is a real party atmosphere and people are curious to see their image drawn right in front of them. Once I start, I can sit there and sketch for hours not realising how much time has past. I hope we can work together again in the future as Forever Manchester and the work they do is an initiative I really admire!
Enchantment Under the Sea Disco and Mermaid:

Having a moment with my mermaid

When someone asks me if I will paint a life size mermaid cut out I say YES! That's what happened here, when HOME threw an Enchantment Under The Sea disco to mark their 80's film series in the run up to Christmas. In honour of their launch film Back To The Future, the arts centre held a huge party inspired by the movie's legendary 1950's dance, complete with sub marine decoration and THE actual Delorian parked outside! (I had a great time posing behind the steering wheel).

 Photo by Chris Payne

The event itself was a huge success and I'm happy to say that my mermaid with her 'I heart Marty' tattoo was also very popular on the night! This was a really fun project to do, from design to actual painting, I really enjoyed the challenge of working so big and painting one of my favourite creatures!
(incidentally my mermaid's look was inspired by the gorgeous Ann Blythe and her role in 1940's classic Mr Peabody and the Mermaid, check it out it's an enchanting little film).


Costume Modelling:


One of the things I like to do is modelling in costume for art events and drawing classes. Having a model who enjoys dressing up, and posing in character makes an unusual and interesting change from still life and nudes. It gives the participants a chance to draw or photo a complete persona and try to capture their energy. Last year I was lucky enough to work with Tameside's Creative Arts and Minds CIC to pose for a photography group who had never had a model before. It was a really rewarding experience to see their initial wariness and nerves give way to some truly creative picture taking! I also worked with Bury Art Collective on a drawing class, Maid in Bury, which was such a fun night. I'll be modelling in Bury again this year for Bury art Society and I look forward to seeing what art gets produced this time round!


This year....

I'll try to blog more often, I do miss it, but I never seemed to get around to doing it much. This year I'll blog more. I have a few ideas for other things I'd like to achieve including a new set of greeting cards designs and I really want to get my embroidery work in a magazine! I began a new project last year based on updating old work but I lost all my enthusiasm for it. I still don't know where this will go but I hope I can resurrect this project maybe tweaking it slightly, so lets see where this goes. I also want to work faster. I like to take my time to create the best work I can but this can limit my output. 2017 is already nearing the end of January! I am getting my skates on as I type!

Sunday, 30 October 2016

Return to Grey Gardens, Manchester


I'm a bit late in writing this, but I was recently lucky enough to see the fabulous Jinkx Monsoon and Peaches Christ perform in Return to Grey Gardens in Manchester!

The show was a drag tribute to the original cult documentary film Grey Gardens  shot by the Maysles brothers in 1975. 

Featuring mother and daughter, Big Edie and Little Edie Beale, the film follows the two women as they coexist in the crumbling remains of their once grand East Hampton home Grey Gardens surrounded by dozens of cats and raccoons and the debris of decades of neglect and lack of money. It's fascinating to watch and there's something both touching and inspiring in the way Little Edie fashions new outfits out of a jumble of ragtag items topped with her remaining Tiffany brooch.



The film is full of classic one liners as both women argue and make up, sing and dance their way through each monotonous day. The stage show reenacted whole sections of beloved dialogue from the film perfectly and I loved how Jinkx, with the perfect upper crust Manhattan drawl, put her own spin on Little Edie as the beleaguered daughter Little Jinkxy, with dreams of stardom forced to stay with her manipulative Drag Mother Big Peachy.


Return to Grey Gardens was the perfect homage to the film, never poking fun at the two women who inspired it, always tongue in cheek but at times poignant too. Little Jinkxy belting out I Dreamed a Dream to her rooftop raccoon audience was stunning, funny and when you think about it, right on the money, as Little Edie was a performer at heart who never got to fulfill her calling.


Peaches Christ looked amazing and was great as the pushy matriarch who cooks a mean corn and takes a little too much delight in the handy man Jerry (played with panache by Team GB athlete Matt Lister!) and I loved how the show made good use of local talent to fill the roles of birthday party guests, cats and the Beale's famous cousin Jackie O! All the performances were brilliant and it looked like everyone was having the best fun ever. Special mention goes to Manchester creative Bren O Callaghan who not only produced the show but starred in it as the camera toting David Maysles.

I'd been excited to see the show for months and in the run up I drew Jinkx as Little Jinkxy, which I'm pleased to say she loved and she also re-posted on her Instagram.


I'd have loved to have made the after show party STAUNCH which happened at Islington Mill but it wasn't to be, fortunately I was able to live vicariously through this backstage video filmed at the Mill before the girls went on stage and Peaches has some interesting things to say about the show and why the film appeals to the drag/gay scene so much.


Top marks to everyone involved, we certainly had loads of fun and loved dressing up to be in the audience, I'll never listen to 'Stay' by Rihanna in the same way again, it was so so good.

Wednesday, 14 September 2016

Joan Collins Unscripted

  

I went to see the wonderful Dame Joan Collins in her one woman (and one man) show at The Lowry this week. I can happily say I have now seen two of my holy trinity of legendary female icons, that being, Dolly Parton, Joan Collins and Joanna Lumley (only Lumley to go).

Joan Collins has fascinated me for years; as a little girl I was caught off guard by her bitchy sexy character Alexis in Dynasty. If she came on TV I'd find myself drawn to the screen to just look at her. The combination of glossy lipstick, huge earrings and high hair mixed with that cut glass English accent certainly left an imprint in my mind. 


As I got older it was Joan's approach to life that next caught my attention. I admire the way she looks no matter what the occasion. Joan Collins is glamour! Not once do we ever see JC slumming it in joggers and a slouchy top, never without her hair done, and NEVER without her makeup. One interviewer once made the faux pas of asking if she ever forgoes the glamour at the weekend and Joan practically winced, 'NO. I wouldn't want that for myself or for anyone else'. Her standards are high just like her self esteem.

 
The live show began with Joan clad in a black lacy trouser suit sitting alongside her husband Percy in a simple set that put me in mind of Claridges. Percy MC'd while Joan answered the never halting flow of questions from the audience, 'What was Hollywood like in the 50's?' (Exciting, she went to lots of showbiz parties and her first film there was opposite the legendary Bette Davis), Did you ever meet Marilyn Monroe? (Yes, and it was while chatting that Marilyn gave her the advice to watch out for the Hollywood studio bosses who could drop her at the click of a finger if she didn't make them happy. Joan managed to dodge the casting couch), What was it like working on Dynasty? (Wonderful but hard work, she had to keep her weight below eight and a half stone to fit into the costumes as the camera adds ten pounds). 


By the second half Joan had changed into a champagne gold sequin gown and looked every inch the star she is. The evening was full of delicious tidbits about Joan's lifestyle, friends and packed career interspersed with wonderful film clips and photos. When an audience member asked if there was any rivalry between Joan and her late sister Jackie while growing up, it was asked with such reverence you could feel the theatre give a little collective nod of respect to the author. Joan answered that of course they were competitive but ultimately they were crazy about each other and she misses her sister everyday. 


 I loved hearing about my favourite period of Hollwood history from someone who had lived through it. Paul Newman, Gene Kelly, Joan Crawford... there were so many names dropped I couldn't keep up! Then of course when Joan chatted about her beauty regime, make up and style rules I was all ears. There was even a little window into Joan and Percy's wedding night that involved gaffer tape and a lot of yelling. I wont go into details in case you see the show yourself but it was highly entertaining. The whole evening was a relaxed and fun insight into the life of a much loved living legend and was a wonderful treat I'll never forget!

Wednesday, 31 August 2016

Drag face!

 

I've been really LOVING make up tutorials on the web for some time now. If there's buffing lining or blending going on, I'm all over it! Drag tutorials are no exception and it was with glee that I first clicked on Lucy Garland a make up whizz who just adores all things Qween!

I've been wanting to create some art work that includes my love of cosmetics for some time but couldn't figure out how to do this without the work becoming a bit one dimensional. That changed after I watched a few drag tutorials. I decided to put thread to canvas and get stitching!

This was a really enjoyable process; I decided to combine painting, applique and embroidery to make something that had multi layers and a real pop! I'm so happy with the outcome. Here's how it evolved:








I've starting my second drag embroidery already, I like to work on them during my down time or in between other projects. They are so fun to do and very satisfying and calming. All the while I'm stitching I'm immersed in glamour and make up, I love it!

Thursday, 11 August 2016

The lights are much brighter there

Here's the second interview for my Gentlemen Prefer Blondes update series. I'm catching up with the first people I ever painted from over a decade ago in order to update their original portraits based on their life experiences and individual stories. Find out why and how I intend to do this HERE.

Alex is someone I've known for about 20 years. She is my brother in law's niece and a few years younger than me. Although we never got to know each other really well we still both fell into the alternative scene of the early 2000's so had some shared memories. For instance we went to see Blur together at Manchester's G-mex, when it was still called the G-mex and I remember bumping into her regularly at The Ritz when it still had it's rock night on a Monday. She posed for me back in 2003 in a makeshift photo shoot at her then shared house, where we discussed boys, clothes and the film Girl Interrupted, the theme song of which she chose as inspiration for the quote for her portrait.

The Lights are Much Brighter There acrylic on canvas 2004

Now, Alex works as a Marketing & Communications Manager for the youth charity Mahdlo based in Oldham and her as her chief love, an actor. She is also a founding member of The Unnamed Theatre Company. Our interview began on a pleasant Sunday morning in Manchester city centre over steaming mugs of tea:

Tell me more about your theatre company

It's a group of stage managers, actors and directors working together. We couldn't agree on a name hence it's called The Unnamed Theatre Company. Our first show was in August, it was 'In Flame' by Charlotte Jones and ran at Joshua Brookes and Oldham Library.
 
How much does being an actor figure in your sense of self? What does it mean to you?

It’s something I’ve always wanted to do. When I was 18 I wondered what I was going to do at Uni but the performing arts courses with their ‘jazz hands’ always put me off. So I studied philosophy instead.
 
In my mid 20’s I still wanted to do acting and performance. People assume you must be extroverted but I hate being the centre of attention in public. However I love performing



Why do you think that is? 

I’m really nosy and I like figuring out the psychology of things. Last year I was doing a play and thought ‘this is a really odd thing to do with your time!’ No matter how hard work is I go to classes and once there I always come out feeling great.

You've told me before about having anxiety and depression, how have you managed to deal with that? 

I’ve had depression on and off since my younger years but I never figured out why. A few years ago I was in a crappy relationship and I thought it was me that was the problem. Doctors just tried to give me drugs so I went on a course of CBT (Cognitive Behavioural Therapy). I finally gave myself the time and space to tackle my anxiety. 

The CBT was really useful; it taught me small daft things like thinking, ‘I Could’ instead of ‘I should’. It took off some of the pressure I put on myself.

Six months after the course I got a new job,quit the Philosophy course which wasn’t working for me and got out of the horrible relationship.

I still get anxious but I can manage and the overwhelming sense of doom has gone. It takes time but I wasn’t afraid to tackle stuff anymore. After that I got into acting. I’m more comfortable. It’s true that in life you only get out what you put in.
   
When I look at your Gentlemen Prefer Blondes portrait I see the rock/grunge scene of the early 2000’s. It makes me think of dancing to Marilyn Manson, reading Kerrang magazine and trying out smudgy makeup looks.  Personally I find your portrait very evocative of that time and the sub cultures that defined it. Can you explain your look in your portrait and why you were drawn to the alternative scene? 



The alternative scene has always been incredibly important to me; it allows outsiders to have a sense of belonging, to meet like-minds and like-hearts, it encourages experimentation in self-expression. We used to go to the Star and Garter every Saturday, Rockworld on Thursdays, The Ritz on Mondays...

When I was younger I felt it was important to *look* different because I felt different. Clothes and aesthetics were hugely important to me in terms of exploring my own identity and that of other people. As I’ve got older, that exploration and sense of identity is still there but manifests itself in so many different ways – whether it’s embracing punk or DIY approaches to building communities or putting on events; discovering art, books, films, music, politics and philosophies that are tied to different subcultures; finding strength and inspiration in zines and the riot grrrl scene… I don’t dress wildly different to when I did then. Maybe fewer pairs of ripped fishnets, but still a lot of black and a lot of leopard print!


What things that inspire you now? 

Ru Paul’s Drag Race! I started watching it when I was such a crap place. It’s so fun and celebratory. Again it’s about pop culture and sub cultures.

I try to see as much live performance as I can as it reinvigorates me and I get inspiration from friends and my support network.
I watch films obsessively and my mum is a big inspiration too obviously.

You look very young and hopeful in your portrait yet the quote you chose implies a yearning for something more. Can you explain how you felt at the time, what you were doing and what your outlook on life was like? 

I always had a head full of ideas and dreams and hopes but didn’t have the confidence, knowledge or experience to know what to do with them. Having come from a working class background in a small town but close to a city, I always felt the world was full of possibilities but didn’t know if those possibilities were for me… I guess at the time, I was uncertain but hopeful that they might be.

Do you identify with that quote at all now?

Yeah I think so. It’s good to be happy but I don’t know if you should ever be fully content. It’s not so much a comparative thing, more an explorative thing. Back when I posed for the painting it was as if the lights were much brighter there...and they weren't here.

But now it’s more a case of yeah, I’d like to try that, like starting a theatre company and acting.

 
I'd also say that although the pose you strike is confident there is a certain amount of vulnerability that comes across, of untested youth and a feeling of invincibility. When you look at the picture now 13 years on how does it make you feel? 

I think that’s quite accurate of how I was at the time. Often on the surface, looking confident and feeling like I owned how I looked and how I felt, but with a lot of underlying insecurities – definitely posed rather than looking at the camera, and thinking about the future or a world outside of my experiences. 

If we were to do a photo shoot now, how do you think you’d react? 

Now I’m much more comfortable in my skin. I’ve got used to the fact that I can’t look ‘selfie hot’ all the time.

I did a performance just after my MA where I wanted to do something that took me out of my comfort zone so I came up with a piece called ‘Grapheme’. I stood completely naked for 24 hours in the foyer of East St Arts in Leeds and got written on by the public. I was blindfolded too. It was a chance to do something that terrified me but people wrote so many nice and positive things.


Before I did it I was like, I need to lose weight, get toned up! But I didn’t. It was weird because people assumed that as I was blindfolded I couldn’t hear them either. I heard one girl say ‘urgh, don’t write on her, she’s got stretch marks’. But the talking about me made me less concerned about what other people think. After doing that, I can tackle anything!

I was playing with the idea of the ideal woman for this work back in 2003/4. I was celebrating femininity. Can you tell me what your opinion of the ideal woman is or even if that phrase has any relevance to you now? 


Patti Smith. Bold, trailblazing, artistic, curious, compassionate, punk, unafraid to show vulnerability but capable of kicking arse… 

Feminism is obviously very important to you; what does it means to you? Everyone’s definitions seem to differ...


To me personally, it’s about inner strength, having a voice and community and creating a positive platform to tackle issues like under representation and fair representation.

I think there does need to be an attacking stance in some cases but it should always be personal to the individual. The tricky thing is the amount of infighting within feminism. There’s a superiority thing of ‘my philosophy being better than yours’. But you can’t embrace something about equality if you think like that. It drives me nuts!
 
Do you think Western societies ideas of the ideal woman have changed much since Gentlemen Prefer Blondes was produced?


I have been lucky to be surrounded by incredibly intelligent, brave, outspoken, creative women and to have had access to communities (online and offline) where a lot of progress has been made in terms of open dialogue, body positivity, feminism, LGBTQIA rights, etc… but working with young people, you can see that there are so many issues still permeating society’s view of women, from the media, selfie-culture, etc. 

Plus with the increase in trolling and online bullying (Men’s Rights Activists, victim shaming, rape culture), as well as ongoing global oppression of women, in-fighting amongst feminist / women’s groups, it feels like it’s becoming increasingly dangerous to speak out or at least that there are whole new ways for women to be attacked for doing so.

What would you tell/advise the person in the portrait if you could, knowing what you know now?  

Don’t panic. You want to have your shit together NOW. You want to know yourself NOW. You want to figure everything out NOW. Some time from now (OK, some time around 2015 – DON’T PANIC!), you’ll figure out a whole bunch of things and be happier than you’ve ever been. On the way to that point, you’ll do some amazing things and meet some amazing people, you’ll have some dark times, you’ll make some terrible decisions, you’ll doubt yourself, you’ll make some great decisions, you’ll get through it all, you will end up with the most ridiculous collections of anecdotes that you will be able to laugh about one day.
 
I’d tell her to value herself, look after herself and to trust her instincts more. And I’d use RuPaul’s words of advice...
 

-

Thanks very much to Alex for talking to me and being so candid. She is someone who is living every facet of her life with a sense of purpose and I really admire that. I like the way Alex is political and faces issues through pro activism and the arts. I found her tackle with depression really uplifting and the thing which stood out most for me was her art piece she performed allowing people to write on her naked body. 

The idea of facing ones insecurities while being so vulnerable was obviously a huge part of what now makes Alex who she is. I really like the idea of writing upon the skin and changing a surface through this kind of interaction and this is something I am playing with in order to update her original portrait. I'm thinking about key words which Alex herself had mentioned and the idea of stripping something down and building it back together...I'll be posting more here as the project continues...